Showing posts with label music(k). Show all posts
Showing posts with label music(k). Show all posts

Friday, January 2, 2015

symphonic suicide note: Melodias descentes se asocian con la muerte


Naukas Bilbao 2013: Almudena Castro. Tus oídos también te engañan.

Tchaikovsky - Sixth Symphony - Fourth Movement



Coming nine days after the premiere of this symphony, the composer's unexpected death was even more of a shock. The funeral took place three days later, the tsar allowing it to be held in the great Kazan Cathedral which held 6,000 people. Though ten times that many had applied for "tickets" to be able to attend, still some 8,000 people crammed into the cathedral for the service.

How can anyone read these letters and think he conceived the piece as a "symphonic suicide note"?

Many people also assume, because he died so soon after the premiere, the composer was already ill and therefore knew he was dying, in fact wrote the symphony under that assumption. But if he had placed that finale as one of the middle movements where a slow movement would normally go and worked that rousing March into a suitable Finale, Tchaikovsky's "after-life" might be very different. But that is what he intended – actually, even before he began work on it: the original plan for the abandoned E-flat Symphony included a finale representing "death – result of collapse" that concludes "dying away."


[http://dickstrawser.blogspot.mx/2011/01/tchaikovskys-6th-symphony-end-of.html]

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My master piece is on process, what it comes to my mind is the fact that we are here , I am not sure if we are all aware of it, to give shape of what could be the master piece of our life.


Thursday, August 7, 2014

Charly García - Influencia

"Influencia" ("Influence", translated cover from Todd Rundgren's original "Influenza")  from Charly García's 2012 album - Influencia ("Influence").





SOURCE: https://archive.org/details/Influencia-CharlyGarcia

I can feel, I can tell
I can feel, I can tell, I can see
Something is changing
To me change is no stranger

I don't run, I don't hide
I don't run, I don't hide, I don't fight
What fate arranges
I don't think about danger

If it was meant for me
I'd know just where to go
But if I can take it slow
Then I might be in control

In the back of my head
In the back of my head there is doubt
There is suspicion
With my new fascination

I don't know what it is
I don't know what it is, you might say
It's intuition
It's a true indication

I should trust myself
I should beware of this
But it's like a stranger's kiss
And somehow I can't resist

I can feel my will slip away
From a strange influenza
I can feel my mind slip away
Under your influenza

I can feel my heart slip away
Under your influenza
There's a part of my heart
There's a part of my heart that cries out

Please go no further
I just can't take the pressure
So I try to resist
So I try to resist and my heart

Tells me don't bother
That this pain is a pleasure
If I were someone else
I wouldn't disagree

But it's always hard to see
When something's controlling me

Friday, July 12, 2013

Tijuana Los Sonidos del Nortec Completo




Lo que escuchas suena a música norteña pero, ¿desde cuándo el género norteño se acompaña de sintetizadores propios de la electrónica? La respuesta está ante tus ojos. Se materializa en un documental de 57 minutos forjado por la labor conjunta de Fandango Films, Bataclán Cine, Once TV México, los productores Carlos Sosa y Jorge Sánchez, y el cineasta Alberto Cortés. Su nombre: Tijuana, sonidos del Nortec.

La película de no ficción dirigida por Cortés muestra que Tijuana tiene ritmos limpios de pólvora; ritmos que caminan al paso de millones de personas que día con día se desplazan de México a Estados Unidos y viceversa; ritmos que suben y bajan por los instrumentos de los grupos norteños que se encuentran en las plazas; ritmos que se sumergen en las bebidas de los centros nocturnos; ritmos que juegan en el mar; ritmos que recorren las faldas de las muchachas; ritmos osados que se fusionan para crear nuevos ritmos. Es ahí donde tiene cabida Nortec Collective, el pilar central de la propuesta fílmica de Cortés.

http://www.revistamilmesetas.com/tijuana-sonidos-del-nortec


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Pepe Mogt

(Nortec Collective/Fussible)

We started using sequencers on computers about 13 years ago. We weren't even using Windows, just straight operating systems like DOS.

Ten years ago, I was working with a sampler that had only 1 megabyte of memory. Now I have one that has almost unlimited memory. That's insane. But it's good to have the old school, because sometimes, when you limit yourself, you can become more creative. Technology has a way of making people lazy.

I have different toys I like. I work with hardware instruments like drum machines that I build myself. One of my favorite software gadgets is called Live, made by Abelton of Germany. It's an audio sequencer that allows you to sample your software instruments and assign all the keys on your computer keyboard to trigger all the samples, so you can create a track on the fly. The other one, which will revolutionize music for DJs, is called Final Scratch. You can record your vinyl and MP3s on the computer, then connect the interface to your turntables. And you can put physical vinyl on the turntable: It has a digital code that triggers the MP3 on the computer. Both will be the big thing this year and in the future.

http://www.wired.com/wired/archive/10.05/manifestos_pr.html

Sunday, April 7, 2013

Daft Punk | Random Access Memories | The Collaborators

Daft Punk. Episode 1: Giorgio Moroder

Daft Punk. Episode 2: Todd Edwards

Daft Punk. Episode 3: Nile Rodgers






Following confirmation of their album release date and title a few weeks ago, today Daft Punk posted a link to their site, randomaccessmemories.com, with the message The Collaborators: Episode 1, Giorgio Moroder.

The video is seemingly the first episode in a series, looking at the collaborators behind 'Random Access Memories'. In the video Giorgio Moroder discusses working with Daft Punk, Donna Summer and explains how he fell in love with the Moog synth.

Moroder says: "What the world needs now is not only good dance songs...the world needs something new." And the hype continues [1].

Friday, March 22, 2013

Modeselektor live in Budapest (2012)





There’s no need to introduce the Berlin duo to you at this point. When the boys dropped some 4-to-the-floor beats people just went nuts (including the whole EB team was attending this event). As if the chaos wasn’t already sufficient, Gernot and Szary started a huge pillow fight. Next thing I can remember is waking up in my hotel room, looking if my pillows were all in shape and heading downstairs to the lobby to write this review. Köszönöm, Budapest. That was fun.

- See more at: http://www.electronicbeats.net/2012/09/14/review-eb-festival-budapest/#sthash.McCNGZKI.dpuf

Sunday, March 3, 2013

Doncamatic





"Doncamatic" is a single by British alternative band Gorillaz. The track features British singer Daley. The single was released on 21 November 2010 via digital download, with a physical release following the next day. It was added to a re-release of the album Plastic Beach exclusively in the United Kingdom.

The music video premiered worldwide on 15 November 2010 on Myspace. The video features a live-action Daley in a one-man submarine, on his journey to join Gorillaz and the rest of the collaborators on Plastic Beach. 2D, dressed as Raggedy Andy, can be seen on a small screen inside the submarine during the "talk to me" portions of the song, as if he is trying to contact Daley. Daley travels all around the ocean to find Plastic Beach, seeing different kinds of fish, even the Superfast Jellyfish like in the "On Melancholy Hill" music video. He also finds the wreckage of the RMS Titanic . At the end of the video, he travels around the island underwater and rises up on the surface, finally arriving at Plastic Beach. The tracks title refers to the Korg Disc Rotary Electric Auto Rhythm Machine Donca Matic DA-20. It was the very first rhythm machine manufactured by Korg. A later version of this machine can be seen built onto the right side of the contraption behind Daley.

Wednesday, February 13, 2013

Modeselektor feat. Thom Yorke - This

There is no much to say but to hear this piece of sound.



“I read somewhere... how important it is in life not necessarily to be strong, but to feel strong... to measure yourself at least once.”
― Jon Krakauer, Into the Wild